Sketchbook #9: Shoes as a Portrait:


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Assignment #13: Surreal:

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What is the difference between surreal and real? To me, I think that being real is something that is right in front of you, and raw. Whereas when I think of surreal it is unusual and not really possible, except in an imagination setting. What does it mean when someone says: "That's so SURREAL!"? When I hear someone say, "That's so SURREAL!" or just surreal, I think of something sort of weird and out of the ordinary, specifically Salvador Dali's painting of melting clocks, to me surreal automatically makes the subject seem out of sorts and part of the imagination. René Magritte For inspiration on surrealism, I chose Magritte because his ideas are things that seem ordinary but are in fact extraordinary. At first glance of Magritte's work subjects seem quite normal but then after a minute or so viewers begin to realize that the subject is strange and impossible. Or, in the surreal paintings the ideas make viewers question moti
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Assignment #20: Wrapped Object:

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Some Ideas: A person wrapped in one color and placed in a contrasting color, for example, my friend has a room that has a red color scheme and a red leather chair. My idea would be to wrap her in a blue, pale blue, gauze on the harsh brick red chair. To make the image more unique I plan on wrapping her body closely and having her hold a cup of coffee while wearing jewelry, making it so only her   body  is wrapped.  If this idea doesn't work, I am still intrigued with the idea of contrasting colors. I would get a cheap chair, I would have to buy for this project, and I would wrap it in a red gauze using a purple ribbon. I plan on taking this to a beach and placing it in the blue water. Another idea, similar to the idea of using  or placing a wrapped object in a normal scene as with the person. I was thinking of wrapping a phone with brown paper with twine and stamping the word "Fragile" on it. And having a person pose with the phone as if on a phone call.  My
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Assignment #14: Through the Lens... :

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David Hockney: In his early years in his career, Hockney traveled from place to place painting. Yet, he would also shoot with a polaroid camera, which he used as an aide-memoir(memory aid) and would then use the photographs while he was painting in order to paint accurately. He later laid out all of the photos to paint the correct scene. Yet, once he finished the painting he stumbled on the new technique he would begin using, collage. This "accident" was one that allowed Hockney to rise to fame. Source: http://www.biography.com/people/david-hockney-9340738#early-work http://www.hockneypictures.com/illust_chronology/illust_chrono_02.php My Hockney Inspired Image:
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